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Own the definitive image of punk's visual revolution. This is an exceptionally rare, hand-signed and numbered original Xerox print of Jamie Reid's most significant work, "God Save the Queen."
This specific piece is the ultimate collector's edition: the highly sought-after Number 1 out of a strictly limited run of 300.
The Work & The Riot: Art and the Sex Pistols
Released in 1977 during Queen Elizabeth II's Silver Jubilee, Jamie Reid's artwork for the Sex Pistols' single was a deliberate act of cultural and political subversion. Reid took Cecil Beaton's iconic royal portrait, defaced it with the song title and band name in his famous "ransom note" typography, and placed it against a torn Union Jack.
The resulting image was a visceral, anarchic cry that perfectly encapsulated the disillusionment of a generation. It was banned by the BBC and many retailers, yet it became the most iconic image of the punk era and a masterpiece of 20th-century political art.
Provenance and Detail
Rarity: Exceptionally rare—numbered 1/300 in gold pen.
Signature: Hand-signed by Jamie Reid in gold pen, featuring his distinct Glyph moniker drawing (a highly desirable addition).
Medium: Ink on paper Xerox, an authentic reflection of the DIY punk aesthetic.
Dimensions: 29.5 \times 21 \text{ cm} (approximately A4 size).
Presentation: Housed in its original custom envelope with a tipped-in title paper label.
Official Release: A verified 2021 release by the artist's London-based gallery, L-13 London.
Jamie Reid: Artist & Anarchist
Jamie Reid (1947–2023) was a British artist, anarchist, and iconoclast most famous for shaping the visual identity of the 1970s punk movement. After studying at Croydon Art School where he met future Sex Pistols manager Malcolm McLaren, Reid developed his signature aesthetic: a raw, confrontational style utilizing cutout newspaper letters (the "ransom note" look), collage, and décollage (the process of tearing away paper). His work, including the covers for "God Save the Queen," "Anarchy in the U.K.," and the album Never Mind the Bollocks, helped to define punk's rage against the establishment. His pieces are held in major public collections globally, including The Museum of Modern Art (MoMA) in New York and the Victoria and Albert Museum (V&A) in London, cementing his legacy as a globally significant political artist.
A rare, hand-signed serigraph by Jamie Reid that rips through the modern debate on flag-waving and national identity.
This is more than just punk history; this is timeless political commentary that speaks directly to the UK’s current cultural moment.
Jamie Reid's iconic aesthetic, famous for the Sex Pistols' ripped Union Jack graphics, is deployed here to deliver a sharp critique. The print, "Vote For Light," features the artist’s notorious masked figures—one a definitive symbol of the political establishment and Margaret Thatcher—set against a turbulent, charged backdrop.
The Relevance of the Flag Today
In an era where the act of flying the flag has become a complex, highly politicized phenomenon, Reid’s work is a powerful mirror:
The Subverted Union Jack: The background behind the masked figure is a vivid, abstracted Union Jack—not a symbol of unity, but a disrupted canvas of overlapping, almost vibrating colours. This visual subversion connects directly to Reid's legacy of using the flag to represent a country divided and broken by its leaders.
A Critique of Nationalism: The piece contrasts the potent, emotional pull of the national flag with the stark reality of the establishment figure it represents.
Key Features & Print Details (Technical Specifications)
Artist
Jamie Reid (British, 1947–2023)
Title
Vote For Light
Medium
Original Eight-Layer Hand-pulled Serigraph (Screenprint)
Material
Fine Art Paper (paper type may vary)
Edition Size
50
Signature & Numbering
Hand-signed and numbered in pencil by the artist. Edition 50 includes artist’s personal glyph/Anarchy symbol.
Dimensions
60 x 51 cm
Year
2009
Condition
Excellent, as issued (Unframed)
Ultra-Rare BANKSY / BLUR Think Tank Teaser Street Poster (2003)
This is a phenomenal piece of contemporary art and music history: an original, large-format street promotional poster created for Blur's 2003 album, Think Tank, featuring art by the legendary street artist BANKSY.
Banksy was commissioned to create the artwork for the entire Think Tank campaign, which is a rare commercial collaboration for the famously anti-establishment artist.
The Rarity Factor
This poster is exceptionally scarce because it is an early teaser version used on the street, containing NO MENTION of the band 'Blur' or the album title. The only clue is the cryptic release date: 03.05.03.
This unbranded, date-only version is much rarer than the later, more common promotional posters that featured the album artwork and band names.
The poster uses Banksy's aesthetic and was part of the highly publicised campaign, making it a genuine piece of the artist's commercial/street-level output.
Collectible Details
Artist: Banksy (artwork) / Blur (campaign)
Format: Large Format Offset Lithograph
Dimensions: A massive 99.5 cm x 150 cm (approximately 39 x 59 inches).
Paper Stock: Printed on 200 gsm water-resistant blue-backed paper, authenticating it as a genuine, large-scale 'fly poster' intended for public paste-up.
A Must-Have for Collectors
This is a fantastic opportunity for collectors of both Banksy’s work and Britpop memorabilia. It is a museum-quality artifact that connects one of the world's most famous street artists with one of Britain's most successful bands.
Don't miss the chance to acquire this scarce, large-format piece of art and music history.
Jamie Reid God Save the USA- Hand Signed & Uniquely Hand-Finished Piece
This is a potent and highly collectible artwork by Jamie Reid, directly extending his critique of the British monarchy to the American political landscape. Titled "God Save the USA," this print adapts his iconic God Save The Queen image to offer a searing commentary on power, consumerism, and the political elite in the United States.
This particular print is a true Unique Piece within its edition due to the hand-applied elements:
Hand-Finished Detail: Each print was hand-finished in red, white, and blue ink by Jamie Reid, meaning no two copies are exactly alike in the application of color.
Signature & Moniker: Hand-signed by the artist in black felt tip pen and includes a drawing of his personal glyph moniker, adding a unique artistic sketch to the margin.
Provenance: Officially published by Jamie Reid's London gallery, L-13 Light Industrial Workshop, circa 2017.
Print Specifications
Edition: Limited Edition of 313 copies (Numbered 99/313).
Medium: Hand-finished print on handmade paper.
Dimensions: 52 cm x 71 cm.
Condition: Excellent.
This is a rare opportunity to own a hand-modified work that demonstrates Reid's lifelong commitment to radical visual dissent.
The Artist: Jamie Reid (1947–2023)
Jamie Reid was the legendary British artist and anarchist who defined the look of punk rock. As the art director for The Sex Pistols, he invented the iconic "ransom note" typography used on seminal works like the "God Save The Queen" single cover. More than a punk pioneer, Reid was a lifelong activist whose powerful work remains a timeless critique of commercialism and the establishment.
God Save The Queen (GSTQ) - Jamie Reid Signed Limited Edition Print
This is the ultimate piece of punk art history: a highly sought-after, limited edition giclée of Jamie Reid's most iconic and revolutionary image, "God Save The Queen."
Released to coincide with the 45th anniversary of the Sex Pistols single, this edition is significantly more collectible due to its highly restricted distribution:
Japanese Market Exclusive: This print was an official release by the Light Industrial Workshop in 2021, published exclusively for the Japanese market, making it significantly scarcer outside of Asia.
Unique Signature: Hand-signed in pencil by Jamie Reid with a unique glyph moniker drawing, adding a personal touch to this major artwork.
Low Edition Size: From a very small, desirable edition of only 300.
Print Specifications
Artwork: "God Save The Queen" (featuring the iconic Queen Elizabeth II portrait with safety pin and ransom note text)
Edition Size: Limited Edition of 300 (Hand-numbered in pencil).
Paper Quality: Printed on high-quality 290 GSM Hahnemuhle archival bamboo paper, renowned for its superior texture and archival longevity.
Dimensions: 61 cm x 82 cm (A large, commanding size).
Condition: Excellent, stored flat from new.
This print is the quintessential statement of rebellion, instantly recognizable worldwide, and represents the absolute peak of punk art.
The Artist: Jamie Reid (1947–2023)
Jamie Reid was the legendary British artist and anarchist who defined the look of punk rock. As the art director for The Sex Pistols, he invented the iconic "ransom note" typography used on seminal works like the "God Save The Queen" single cover. More than a punk pioneer, Reid was a lifelong activist whose powerful work remains a timeless critique of commercialism and the establishment.
Jamie Reid (1947-2023) – Demand The Impossible (Nowhere Buses)
A rare, hand-signed, and numbered limited edition serigraph by the iconic 'Godfather of Punk' artist, Jamie Reid.
Artist Jamie Reid (British, 1947-2023)
Title Demand The Impossible (Nowhere Buses)
Medium Hand-Pulled Serigraph (Screenprint/Silkscreen)
Substrate Eco Cairn acid-free brown card,
Colour [YELLOW / RED/ BLACK The Sex Pistols Colours.
Year 2018
Publisher L-13 Light Industrial Workshop (L-13 Gallery), London
Edition Size Limited Edition of 140/500
Signature Hand-Signed and Numbered in pencil by Jamie Reid with glyph pencil drawing.
key Details:
Dimensions 64 cm x 45 cm approx. 25.2 in x 17.7 in.
Will arrive via the post in its own custom screen printed cardboard JAMIE REID SOME PRODUCT!
Hand-cut stencil and aerosol paint on plywood.
Hand-signed in pen on the back.
Hand-cut stencil signature to front.
Dimensions 23 x 25 cm.
Made by the artist somewhere in Essex, UK for a Fulham art exhibition back in 2020.
Dotmasters is an internationally renowned street artist and multi-media creator, with an eclectic career spanning more than three decades of practice. His eclectic and evolving style takes a sideways look at populist culture, delivered with a typically British sense of humour.
Behind Dotmasters is Leon Seesix, an early pioneer of street art in the ‘90s. Originally based in Brighton, his art practice started as a revolutionary mix of stencil street art, graffiti, performance and digital art, with work exhibited online, on the street, in gallery installations and nightclubs.
At that time, ‘graffiti’ was evolving into ‘street art’, with street works historically classed as vandalism now bequeathed a new status. Within this context, the Dotmasters project emerged, founded on a principle drive to create work in an unmediated space and in direct contact with its audience.
He is a versatile and innovative artist, constantly experimenting with new techniques and mediums from spray paint, stencils and stickers to LED lights and augmented reality. From street stencils to luxury interiors, grass-roots activism to big brand collaboration, Dotmasters’ work explores themes such as consumerism, media, politics and identity, challenging the viewer to question their own assumptions and beliefs. His work is not only a reflection of his own vision, but also a commentary on the contemporary society and culture, both critique and celebration of the world we live in.
Dotmasters has exhibited his work in galleries and museums around the world, including London, Paris, New York, Tokyo and Dubai. He has played a founding role in numerous street art festivals and events, such as the international Nuart festival in Norway, Glastonbury Festival and Banksy’s Cans Festival. He is a founding member of the C6 collective, a group of artists, activists and pranksters who use art and technology to create interactive and immersive installations and has collaborated with a wide range of international artists including Ben Eine and Nick Walker.
Blek le Rat God Father of the stencil street art movement.
(No. 8/50): "Chopin" Blue Serigraph | Hand-Signed Limited Edition Street Art Print
This is an exceptional, low-numbered serigraph by Blek le Rat, the founder of the international stencil art movement.
The True Context: From 3D Model to Urban Icon in Trainers
This "Chopin" print captures a rare moment where classical history intersects with contemporary digital culture. The creation of this work was directly inspired by the highly publicized 3D artistic rendering of Chopin's face by artist Hadi Karimi in June 2020.
Blek le Rat responded to this digital 'resurrection' by taking the newly visible face and giving the composer his 21st-century uniform for the street:
The Look: The stencil shows Chopin's formal coat paired with modern elements—the implied jeans or contemporary trousers and, most tellingly, modern trainers (sneakers) on his feet.
The Meaning: By putting Chopin in footwear designed for walking modern city streets, Blek le Rat finalizes the figure's transformation from a relic of history into an eternal, urban icon.
This print is a highly conceptual piece that commands attention, telling a unique story about art, science, and the digital age.
Collector's Details:
Artist: Blek le Rat (Xavier Prou)
Title: "Chopin" (Blue/Grey Colorway)
Medium: Hand-Pulled Serigraph (Screenprint) on Fine Art Paper.
Rarity: Extremely limited edition of only 50 prints worldwide.
Numbering: This piece is No. 8/50, a coveted low number within a scarce edition.
Authentication: Hand-signed and numbered by the artist, and includes the original Certificate of Authenticity (COA).
Condition: Professionally framed in a clean white wood frame behind glass.
Original Signed Oil Painting: "Frog" (Early Work by Artist 'Billy Childish')
This is a rare, captivating original oil on canvas painting titled "Frog" by the artist now known for his distinctive gallows symbol/moniker/glyph.
Dated 2005 on the reverse in charcoal, this piece offers a unique insight into the artist's formative years, signed simply as 'billy'—before he adopted his now-famous gallows signature. This makes it a highly desirable piece for collectors interested in the artist's journey and evolution.
Details & Provenance
Medium: Original Oil on Canvas
Title: Frog
Signature: Signed 'billy' (Early signature, pre-gallows glyph)
Date: 2005 (Dated on canvas reverse)
Framing: Professionally presented, tipped onto a wooden tray frame—ready to hang.
Dimensions: 47.5 cm X 37 cm
Provenance: Includes a letter of provenance from a prominent Kent Art Gallery, ensuring authenticity and a traceable history.
The Collector's Appeal
Early works like this, which pre-date an artist’s established brand or signature, are rarely available and often increase in value as the artist's later, more recognized work gains fame. This painting is a unique opportunity to own a crucial piece of the artist's history—a direct link to 'billy' before he became the 'Gallows Glyph Artist.'
Don't miss the chance to acquire this fascinating and well-documented early original.
GOD SAVE THE PIER (EDITION 1/113) — THE ULTIMATE COLLECTIBLE BY JAMIE REID
This is an extraordinary opportunity to acquire an investment-grade piece of punk art history: Edition Number 1 of Jamie Reid’s iconic print, 'God Save the Pier.' Signed and numbered 1/113 by the artist, this is the most desirable and rarest iteration of an already highly sought-after print.
Investment-Grade Rarity:
In the world of limited-edition prints, the first number in the run is universally considered the most valuable and difficult to secure. This print represents the definitive starting point of the entire edition of 113, guaranteeing its premium status and long-term appreciation potential, especially following Reid's passing.
Artwork, Legacy, and Provenance:
'God Save the Pier' features Reid’s signature 'ransom note' typography and disruptive visual style, famed for his work with the Sex Pistols (God Save the Queen). This piece was created as a commemorative, activist, and fundraising poster, channeling the same anarchic spirit and focus on social commentary that defined the punk movement.
It is a true object of craft: a hand-pulled silk screen print, ink on paper, giving it a palpable texture and depth that distinguishes it from digital reproductions.
Publisher Provenance:
This print was published in 2010 by L-13 Light Industrial Workshop, a gallery known for its close collaboration with Jamie Reid and its commitment to subversive, underground art. Association with L-13 further validates the piece's provenance and its significance within Reid's later body of work.
Specifications:
Artist: Jamie Reid (1947–2023)
Title: God Save the Pier
Year: 2010
Publisher/Funder: L-13 Light Industrial Workshop
Medium: Hand-pulled Silk Screen Print, ink on paper.
Edition Size: 113
Rarity: Hand-Signed in pen Jamie Reid.
Dimensions 56 cm x 40 cm.
Glyph moniker drawing on pen.
Condition: Excellent,.
Jimmy Cauty: "Smiley Riot Shield - 3rd Class" Limited Edition Print
Own an essential work of modern political satire by Jimmy Cauty, a foundational figure in British counter-culture, renowned for his work with The KLF. This print perfectly merges Cauty's most recognized themes: the 'Smiley Riot Shield' and his subversive postal stamp designs.
This particular work commemorates the 200th anniversary of the Peterloo Massacre (1819), transforming the historical event into a contemporary critique of state violence and authority.
The Deeper Context: Law, Rebellion, and the Contested Smiley
The use of the smiley face here is a triple layer of satire, connecting state conflict with corporate control:
Corporate Control: The iconic symbol, originally created by Harvey Ball in 1963, was later trademarked by Franklin Loufrani and The Smiley Company in 1971, leading to decades of international legal battles over its ownership and use. Cauty subverts this contested corporate image by placing it on a shield—a tool of state violence.
Acid House Rebellion: The symbol was heavily adopted by the Acid House rave culture (in which Cauty was a key figure through The KLF), representing utopian escape and rebellion.
Satirical Blend: By blending the corporate-owned, legally-contested symbol of hedonism with the authoritarian object of a riot shield, Cauty critiques both the commercialization of rebellion and the underlying violence of the establishment.
Key Collector Details
Artist Provenance: Cauty is a pioneer of the anti-establishment art movement, often exhibited alongside artists like Banksy.
Unique Stamping: The print is officially authenticated and stamped with two satirical markings:
Rubber stamped "i Protest The Cautese National Postal Disservice" in red ink.
Rubber stamped "Limited Edition Stamp of Mass Destruction" in black ink.
Gallery Provenance: Purchased from Cauty's spiritual home, The L-13 Light Industrial Workshop (Gallery) in London, circa 2019.
Print Specifications
Edition: Limited Edition of 200 (Hand-numbered in pencil).
Medium: Fine art Giclée print made using high-quality light fast inks on matt stock paper.
Dimensions: 30.5 cm x 33 cm (A highly collectible, compact size).
Condition: Excellent, stored flat from new.
This is a must-have for any collector interested in politically charged art, British counter-culture, or the enduring legacy of The KLF.
Artist: Jamie Reid (1947–2023)
Title: God Save Our Forests
Year: 2011 (Created for The Ragged Kingdom Exhibition)
Medium: Archival Giclée Print on Poster Paper, Unique Variant.
Dimensions: Oversized 70 cm x 90 cm (Significantly larger than the standard edition).
Signature: Signed J Reid in pencil with a rare, hand-drawn OVA Glyph personal symbol.
Provenance:Exceptional and Documented. Accompanied by the original Letter of Authenticity (LOA) dated December 19, 2011, and signed by John Marchant, Director, Isis Gallery (now legal archivist for the late Mr. Reid’s estate).
Detailed Provenance & Uniqueness
This is a unique piece with an irreplaceable history, directly linking the artwork to the artist's inner circle. This unique oversized variant was created for Jamie Reid’s pivotal 2011 London exhibitions, The Ragged Kingdom and Peace Is Tough.
Its rarity is confirmed by the hand-drawn OVA glyph and the original LOA from John Marchant, which confirms it was a personal gift given as a "consolation prize" following a talk incident. This specific provenance makes it a singular, non-commercial piece from the artist's working archive. The print uses an archival Giclée base, which allowed Reid to create this large format on lighter paper, and was then uniquely hand-finished in pencil by the artist.
Artistic Significance
The print features Reid’s iconic punk-era aesthetic, powerfully protesting ecological destruction (deforestation). The hand-drawn OVA glyph (Reid’s spiritual symbol) elevates this specific print to a unique, artist-touched item.
This is an exceptionally rare and important Large Format work by the highly controversial and influential British artist, James Cauty (formerly of The KLF/K Foundation). The piece, titled "God Is Not Boring," is an iconic image from his 'Stamps of Mass Destruction' series. This particular print is the very first edition, numbered 1/21, and is signed in pencil by the artist. The artwork is a stunning, oversized print designed to resemble a giant postage stamp, featuring the unmistakable 'Floating Vicar' figure holding a banner that reads, "GOD IS NOT BORING." The scale of this print makes it a powerful statement piece. Unique Specifications & Rarity
Edition: 1/21 (The very first print of the edition).
Signature: Signed in pencil by James Cauty.
Dimensions (Oversized):
Metric: 60 cm x 69 cm.
Imperial Equivalent: Approx. 23.6 inches x 23.6 inches.
Condition & Provenance
Condition: Excellent. The print has been stored flat since its purchase.
Provenance: Purchased directly from The Aquarium Gallery, London, circa 2006.
Artist Stamps: The piece features the official 'C.N.P.D. Black Stamp' (The Cautese National Postal Dis-service) and the original 'Stamp of Mass Destruction' motif, dated 2006.
Shipping & Returns
Shipping: Sent in a heavy-duty tube, fully tracked and insured worldwide.
Returns: We accept returns within 14 days of delivery.
Blek le Rat: "Baguette Rat No. 5" – Hand-Signed, Limited Edition Screen Print
This is a fantastic opportunity to own an iconic, authenticated print by Blek le Rat, the legendary French artist often called the "father of stencil graffiti." His work pioneered the global street art movement and directly influenced artists like Banksy.
This piece, officially titled 'Baguette Rat' or 'Rat No. 5,' is a perfect example of his signature street work, where the rat represents an independent life form that breeds city dwellers and appears in unexpected places.
Key Collector Details
Iconic Imagery: The rat motif is Blek le Rat's signature and most recognized street artwork.
High Quality Medium: This is a vibrant six-colour screen print (serigraph) on high-quality 300 gsm Archers paper, ensuring archival quality and durability.
Authentication: The print is hand-signed in pencil by the artist and includes the official Artist's Certificate of Authenticity (COA), confirming its provenance (circa 2019).
Ready to Display: This piece comes professionally framed, behind glass, complementing the artwork and ensuring its long-term preservation.
Print Specifications
Artist: Blek le Rat
Title: 'Baguette Rat' (also known as 'Rat No. 5')
Medium: Six-colour screen print on 300 gsm Archers paper
Edition: Limited Edition, numbered 91/300
Dimensions: 23 cm x 32 cm
Signature: Hand-signed in pencil by the artist
Price: £2,500.00
Availability: Only 1 available
This is an essential, authenticated piece of street art history for any serious collection.
Jimmy Cauty: "Smiley Riot Shield - 3rd Class" Limited Edition Print
Own an essential work of modern political satire by Jimmy Cauty, a foundational figure in British counter-culture, renowned for his work with The KLF. This print perfectly merges Cauty's most recognized themes: the 'Smiley Riot Shield' and his subversive postal stamp designs.
This particular work commemorates the 200th anniversary of the Peterloo Massacre (1819), transforming the historical event into a contemporary critique of state violence and authority.
The Deeper Context: Law, Rebellion, and the Contested Smiley
The use of the smiley face here is a triple layer of satire, connecting state conflict with corporate control:
Corporate Control: The iconic symbol, originally created by Harvey Ball in 1963, was later trademarked by Franklin Loufrani and The Smiley Company in 1971, leading to decades of international legal battles over its ownership and use. Cauty subverts this contested corporate image by placing it on a shield—a tool of state violence.
Acid House Rebellion: The symbol was heavily adopted by the Acid House rave culture (in which Cauty was a key figure through The KLF), representing utopian escape and rebellion.
Satirical Blend: By blending the corporate-owned, legally-contested symbol of hedonism with the authoritarian object of a riot shield, Cauty critiques both the commercialization of rebellion and the underlying violence of the establishment.
Key Collector Details
Artist Provenance: Cauty is a pioneer of the anti-establishment art movement, often exhibited alongside artists like Banksy.
Unique Stamping: The print is officially authenticated and stamped with two satirical markings:
Rubber stamped "i Protest The Cautese National Postal Disservice" in red ink.
Rubber stamped "Limited Edition Stamp of Mass Destruction" in black ink.
Gallery Provenance: Purchased from Cauty's spiritual home, The L-13 Light Industrial Workshop (Gallery) in London, circa 2019.
Print Specifications
Edition: Limited Edition of 200 (Hand-numbered in pencil).
Medium: Fine art Giclée print made using high-quality light fast inks on matt stock paper.
Dimensions: 30.5 cm x 33 cm (A highly collectible, compact size).
Condition: Excellent, stored flat from new.
This is a must-have for any collector interested in politically charged art, British counter-culture, or the enduring legacy of The KLF.
💥 Icon of Anarchy: Jamie Reid, 'Queen in Blood Diamonds' Serigraph
This is an authentic, hand-pulled serigraph by the late, legendary British artist Jamie Reid (1947–2023). Far more than a punk image, this print is a profound piece of political and cultural critique that retains its urgency today.
The Artwork's Truth:
The print uses Reid’s signature Situationist-influenced décollage and cut-and-paste aesthetic. The term "Blood Diamonds" explicitly condemns the colonial acquisition of resources linked to conflict and exploitation in impoverished regions of Africa, highlighting the ethical cost of the Royal Family's inherited wealth.
Feature Specification
Artist Jamie Reid (British)
Title 'Queen in Blood Diamonds'
Medium Original Hand-Pulled Serigraph (Screen print)
Dimensions 43 cm x 53 cm (16.9 x 20.9 inches)
Edition Size Limited Edition of 250
Authentication
Hand-signed, titled, and numbered in pencil, and accompanied by the artist's unique, hand-drawn Druidic/Occult glyph, reinforcing his spiritual and anti-establishment ideology.
Paper
High-quality Archival Paper
Condition
Mint, Unframed, Stored Flat From New. As a hand-pulled serigraph, the print retains the unique, minor characteristics inherent to the silkscreen process, ensuring its authenticity and distinct texture.
Collector Value:
Jamie Reid's personal artistic mark, the unique hand-drawn glyph, emphasizes this print's authenticity and connection to the artist's broader ideology. His work is held in major international collections, including the Museum of Modern Art (MoMA) and the Victoria and Albert Museum (V&A).
Iconic, museum-quality street art. An original, five-colour screen print by Dotmasters (Leon Seesix) from 2008, featuring his signature "No Dumping Area Under Surveillance" motif (known as the 'Tesco Trash' series). Hand-signed, numbered, and includes full London gallery provenance.
This is a highly sought-after, authentic, and scarce screen print by the renowned British urban artist, Dotmasters (Leon). This powerful image is one of the artist's most recognizable satirical works, directly linked to the vibrant street art explosion of the Banksy Cans Festival era in 2008.
Artwork Title: Load of Old Rubbish.
Medium: 5 - Colour Silk Screen Print.
Paper: Lambeth Paper
Sheet Size: 76 cm x 56 cm (Approx. 29.9 x 22.0 inches)
Year: Circa 2008
Edition: Limited Edition of 150
Authentication: Hand-signed and numbered in pencil by the artist. Includes the raised blind stamped embossed with the artist's studio official seal.
Provenance: Includes the original London gallery certificate of authenticity (COA).
Condition: Stored flat from new condition is excellant.
Shipping: Sent fully insured and tracked in heavy duty cardboard tube worldwide.
Jamie Reid: "Blind Queen GSTQ" - Massive Blue Oversized Print (112cm)
This is an imposing, official release of Jamie Reid's most famous motif, "God Save The Queen," presented in a striking supersized format known as the "Blind Queen GSTQ" edition. This version features the original artwork printed entirely in a deep blue ink, creating a minimalist yet powerful statement piece.
This print holds excellent provenance, making it a desirable collector's item:
Exhibition Provenance: This was an official release for Jamie Reid's major show, "Liberty," held at the prestigious Paul Stolper's gallery in 2012.
Supersized Scale: Measuring an impressive 112 cm x 81 cm, this work is significantly larger than standard editions, designed to dominate any wall space.
Confirmed Authenticity: The provenance of the print is confirmed in the form of an official letter from The L-13 gallery London, ensuring its legitimacy.
Print Specifications
Artwork: Blind Queen GSTQ (God Save The Queen)
Release Year: 2012
Medium: Blue ink digital print on high-quality 350 gsm paper.
Dimensions: 112 cm x 81 cm
Price: £1,250.00
Availability: Only 1 available
This oversized blue edition is a rare opportunity to own one of punk's most enduring images in an impactful, gallery-show format.
Jamie Reid: "Eat The Rich" (2023) - The Final Act
This limited edition print is a profound artifact, representing one of the last major editions published during Jamie Reid's lifetime (1947–2023). It perfectly encapsulates his career-long fusion of anti-establishment punk ideology with community-focused activism.
Artistic Provenance
Artist:Jamie Reid (1947–2023). The legendary British artist and anarchist who defined the visual aesthetic of punk rock, known globally for his iconic "ransom note" typography for The Sex Pistols (e.g., "God Save The Queen").
Significance: The phrase "Eat The Rich" is a quintessential expression of Reid's political stance, directly challenging capitalism and socio-economic inequality.
Medium & Quality: Professionally printed as an archival Giclée print using light fast inks on luxury 310 gsm German etching paper, a heavyweight, museum-quality stock.
Dimensions:46 cm x 35.7 cm (approx. 18.1\text{ in} \times 14.1\text{ in}).
Edition Details & Rarity
Signature:Hand signed by Jamie Reid in pencil.
Edition: A highly exclusive Limited Edition, hand-numbered 21/100 in pencil. The small edition size ensures its rarity and compatibility, especially given the artist's passing in 2023.
Condition: Excellent condition, having been stored flat and ready for framing.
Community & Historical Context
Publisher:The Florrie (The Florence Institute), Liverpool. This partnership reflects Reid's commitment to community and social causes, with the print sale directly supporting the charity's vital work (e.g., food aid).
Historical Note: This edition holds significant posthumous value as one of the final authorized releases, linking his famous rebellion to a charitable legacy.
Market Valuation Analysis
While prices for Jamie Reid's most iconic "God Save The Queen" prints can reach several thousand pounds, this particular "Eat The Rich" edition from 2023 has specific factors influencing its market position:
Edition Size: The run of only 100 is relatively small for a major Reid release, increasing its long-term desirability compared to editions of 300 or 500.
Rarity & Timing: Being signed and published in 2023, the year of his passing, solidifies its status as a highly sought-after, late-career piece.
Jamie Reid – Queen in Blood Diamonds (Negatively Positive) Ed. 40/250
A bold and highly significant limited edition serigraph from the visual architect of the Punk movement, Jamie Reid. This is the 'Negatively Positive’ variant of the Queen in Blood Diamonds series, featuring the dramatic white background.
The Artwork's Significance:
Queen in Blood Diamonds is a powerful, modern continuation of Reid’s anti-establishment critique. It features blind & gagged Queen Elizabeth II wearing the 'Blood Diamond' crown—a direct commentary on the Monarchy's imperial wealth and history. The deep black background emphasizes the stark red and white elements, creating a visceral, high-impact aesthetic.
This Specific Piece:
Your purchase is for Edition 40/250, a highly desirable low number. As a key number representing 'maturity'.
Medium: Three colour Screen print on Recycled 1200 Micron Card
Dimensions: 62 cm x 43 cm (24.4 inches x 16.9 inches)
Edition: Limited Edition of 40/250
Signed/Numbered: Hand-signed and numbered in pencil by Jamie Reid.
The Ultimate Collector’s Piece James Cauty Archival Giclée No 1/99
This is an exceptionally rare James Cauty Giclée Print of the iconic image from his seminal 2007 billboard campaign, IT'S CHRISTMAS / THESE WERE A FEW OF MY FAVOURITE THINGS. The print is the definitive, Large Format version, measuring 60 cm x 78 cm (approx. 23.6 x 30.7 in). As the No. 1 Print from the limited edition of 99, this piece offers unmatched provenance for any serious collector of UK Street Art and contemporary anti-consumerist satire.
A Subversive Masterwork: The Dark Side of Holiday Consumption
The artwork’s title and imagery deliver Cauty’s most concentrated critique of holiday spending. The actress, Julie Andrews, is depicted adopting the famous, arms-outstretched pose from the song "My Favourite Things," but her idyllic scene is set atop an overwhelming mountain of discarded rubbish—the physical detritus of post-holiday spending. This trash art intervention, which was prominently exhibited as billboards across East London , replaces the festive narrative with the harsh reality of systemic waste, utilizing packaging from major retailers at the time.
Physical Details and Provenance
Title: IT'S CHRISTMAS / THESE WERE A FEW OF MY FAVOURITE THINGS
Medium: Archival Inkjet Print (Giclée), produced using museum-quality materials for longevity.
Dimensions: 60 cm x 78 cm (Sheet Size).
Rarity: Hand Signed and Numbered 1/99 by the artist, Jimmy Cauty (founder of The KLF), in pencil. The No. 1 designation significantly enhances collector value.
Condition Report
The Giclée is in good overall condition, remaining free from holes and tears. Please note, there are small, minor dings to the image area, consistent with the piece's history outside of a frame. The pricing reflects this specific condition, distinguishing it from pristine (mint) examples. Full condition details are best reviewed via the high-resolution images.
Artist Context: Cauty is one of Britain’s most radical figures, known for his anti-art actions and his presence in major subversive shows, including the exhibition of his dystopian diorama at Banksy’s Dismaland.[1]
This Limited Edition Giclée is an essential piece for collectors interested in the intersection of Pop Art critique, political dystopia, and the legacy of the KLF. Secure this singular piece of British counter-culture history.
A rare piece of lockdown history. This limited edition "Gold" serigraph by British street artist The Dotmaster features his iconic character Indigo playfully vandalizing a masterpiece. Signed, numbered, and originally released in support of The Big Issue.
“Rude Kids" meet Renaissance in this rare charity edition.
"Indigo Gets Up" is one of the most recognizable images by British street artist The Dotmaster (Leon Seesix). Set against his signature Victorian wallpaper pattern, his recurring character—a young girl named Indigo—is caught red-handed painting a smile on the Mona Lisa. It is a playful collision of high art, street vandalism, and childhood innocence.
A Piece of History This specific "Gold" edition carries a unique provenance. It was released exclusively via Jealous Gallery London in March 2020, right at the start of the UK's first COVID-19 lockdown. Created as a fundraiser for The Big Issue, it was a direct artistic response to the crisis, helping to support vulnerable street vendors when they needed it most.
The Details Printed on high-quality Southbank Smooth 250gsm paper, the gold ink of the wallpaper shimmers subtly against the stark black stencil work, making the "vandalized" red smile pop off the page.
Artist: The Dotmaster
Title: Indigo Gets Up (Big Issue Gold Edition)
Medium: Handmade Serigraph (Screen Print) on Southbank Smooth 250gsm paper
Year: 2020
Edition: Limited Edition numbered 13/40.
Dimensions: 50cm x 50cm (19.7" x 19.7")
Markings: Hand-signed and numbered by the artist in pencil (Bottom Left/Right)
Provenance: Published by Jealous Gallery, London. Raised embossed + certificate of authenticity.
Condition Report : This print is in excellent condition with sharp corners and vibrant ink coverage. It has been stored flat and out of direct sunlight.
> Collector's Note: With an edition size of just 40, this is one of the scarcer variants of the "Indigo" series. It represents not just a fantastic piece of British street art, but a specific moment in time for the art community