James Cauty - "God Is Not Boring" - Oversized Large Format (60cm) - 1/21 (Very First Print) - Signed, Provenance CNPD

£1,250.00
Only 1 available

​This is an exceptionally rare and important Large Format work by the highly controversial and influential British artist, James Cauty (formerly of The KLF/K Foundation). ​The piece, titled "God Is Not Boring," is an iconic image from his 'Stamps of Mass Destruction' series. This particular print is the very first edition, numbered 1/21, and is signed in pencil by the artist. ​The artwork is a stunning, oversized print designed to resemble a giant postage stamp, featuring the unmistakable 'Floating Vicar' figure holding a banner that reads, "GOD IS NOT BORING." The scale of this print makes it a powerful statement piece. ​Unique Specifications & Rarity

  • Edition: 1/21 (The very first print of the edition).

  • Signature: Signed in pencil by James Cauty.

  • Dimensions (Oversized):

    • Metric: 60 cm x 69 cm.

    • Imperial Equivalent: Approx. 23.6 inches x 23.6 inches.

Condition & Provenance

  • Condition: Excellent. The print has been stored flat since its purchase.

  • Provenance: Purchased directly from The Aquarium Gallery, London, circa 2006.

  • Artist Stamps: The piece features the official 'C.N.P.D. Black Stamp' (The Cautese National Postal Dis-service) and the original 'Stamp of Mass Destruction' motif, dated 2006.

Shipping & Returns

  • Shipping: Sent in a heavy-duty tube, fully tracked and insured worldwide.

  • Returns: We accept returns within 14 days of delivery.

​This is an exceptionally rare and important Large Format work by the highly controversial and influential British artist, James Cauty (formerly of The KLF/K Foundation). ​The piece, titled "God Is Not Boring," is an iconic image from his 'Stamps of Mass Destruction' series. This particular print is the very first edition, numbered 1/21, and is signed in pencil by the artist. ​The artwork is a stunning, oversized print designed to resemble a giant postage stamp, featuring the unmistakable 'Floating Vicar' figure holding a banner that reads, "GOD IS NOT BORING." The scale of this print makes it a powerful statement piece. ​Unique Specifications & Rarity

  • Edition: 1/21 (The very first print of the edition).

  • Signature: Signed in pencil by James Cauty.

  • Dimensions (Oversized):

    • Metric: 60 cm x 69 cm.

    • Imperial Equivalent: Approx. 23.6 inches x 23.6 inches.

Condition & Provenance

  • Condition: Excellent. The print has been stored flat since its purchase.

  • Provenance: Purchased directly from The Aquarium Gallery, London, circa 2006.

  • Artist Stamps: The piece features the official 'C.N.P.D. Black Stamp' (The Cautese National Postal Dis-service) and the original 'Stamp of Mass Destruction' motif, dated 2006.

Shipping & Returns

  • Shipping: Sent in a heavy-duty tube, fully tracked and insured worldwide.

  • Returns: We accept returns within 14 days of delivery.

Artist Focus: James Cauty (The KLF / K Foundation)

​This artwork is a rare, museum-quality piece by the British artist James Cauty, co-founder of the hugely influential and controversial acid house band, The KLF, and its successor, The K Foundation.

A History of Pop Terrorism & Art Subversion:

​Cauty and his partner, Bill Drummond, were famous for their 'pop terrorism' and subversion of the music industry. After becoming the biggest-selling singles act in the world in 1991, they abruptly retired, deleted their entire back catalog, and staged one of the most infamous stunts in art history: burning one million pounds sterling of their own earnings in 1994.

The 'Stamps of Mass Destruction' Series:

  • Political Provocation: The series began in 2003 to mark the beginning of the Iraq War. Cauty immediately courted legal controversy with his 'Queen in a Gas Mask' prints, which resulted in a legal threat from the Royal Mail and the withdrawal and destruction of the original prints.

  • The Artwork: The "God Is Not Boring" print features the iconic 'Floating Vicar' figure, merging religious and military themes to satirize government and corporate power.

​This print is not just an image; it is a direct continuation of Cauty's commitment to anarchic, high-impact statement art that challenges institutions and the status quo.