Title: God Save Our Forests. This piece is a powerful statement on ecological change and a protest against deforestation, utilizing Reid's signature "ransom note" and cut-and-paste aesthetic.
Dimensions, Medium & Signature
Description: * Medium: Archival Giclée print on poster paper (this specific listing is often the Unique Variant created for the 2011 Ragged Kingdom exhibition).
Dimensions: Large format 70 cm x 90 cm, significantly larger than standard editions.
Signature: Hand-signed 'J Reid' in pencil.
The Glyph: Features a rare, hand-drawn OVA Glyph (Reid's spiritual/Druidic personal symbol), elevating it to a unique, artist-touched item.
Provenance: Accompanied by an original Letter of Authenticity (LOA) signed by John Marchant of the Isis Gallery (now the archivist for Reid's estate).
Gallery Quality & Secure Delivery
The piece is in excellent condition and is considered a singular, non-commercial work from the artist's working archive. It is shipped via a fully insured and tracked service in heavy-duty protective packagingProvenance and Gallery Information
At It's Only Paper, we specialize in sourcing authentic punk-era artifacts and contemporary investment prints. This Jamie Reid 'Nowhere Buses' edition is a cornerstone of any serious collection of 20th-century radical art. As a hand-signed piece, it carries the direct legacy of the Suburban Press era and the visual rebellion of the late 1970s.
We understand the importance of condition and authenticity for our collectors. Every print is stored in a climate-controlled, smoke-free environment and is inspected for quality before shipment. We provide gallery-standard packaging, using acid-free materials and heavy-duty reinforced tubes to ensure your artwork arrives in pristine condition.
Whether you are a long-time collector of Jamie Reid’s glyph-signed works or a first-time buyer looking for a definitive piece of punk history, It's Only Paper offers secure worldwide shipping and tracked delivery. This is more than a poster; it is a piece of cultural subversion that redefined the relationship between art and the street..
Title: God Save Our Forests. This piece is a powerful statement on ecological change and a protest against deforestation, utilizing Reid's signature "ransom note" and cut-and-paste aesthetic.
Dimensions, Medium & Signature
Description: * Medium: Archival Giclée print on poster paper (this specific listing is often the Unique Variant created for the 2011 Ragged Kingdom exhibition).
Dimensions: Large format 70 cm x 90 cm, significantly larger than standard editions.
Signature: Hand-signed 'J Reid' in pencil.
The Glyph: Features a rare, hand-drawn OVA Glyph (Reid's spiritual/Druidic personal symbol), elevating it to a unique, artist-touched item.
Provenance: Accompanied by an original Letter of Authenticity (LOA) signed by John Marchant of the Isis Gallery (now the archivist for Reid's estate).
Gallery Quality & Secure Delivery
The piece is in excellent condition and is considered a singular, non-commercial work from the artist's working archive. It is shipped via a fully insured and tracked service in heavy-duty protective packagingProvenance and Gallery Information
At It's Only Paper, we specialize in sourcing authentic punk-era artifacts and contemporary investment prints. This Jamie Reid 'Nowhere Buses' edition is a cornerstone of any serious collection of 20th-century radical art. As a hand-signed piece, it carries the direct legacy of the Suburban Press era and the visual rebellion of the late 1970s.
We understand the importance of condition and authenticity for our collectors. Every print is stored in a climate-controlled, smoke-free environment and is inspected for quality before shipment. We provide gallery-standard packaging, using acid-free materials and heavy-duty reinforced tubes to ensure your artwork arrives in pristine condition.
Whether you are a long-time collector of Jamie Reid’s glyph-signed works or a first-time buyer looking for a definitive piece of punk history, It's Only Paper offers secure worldwide shipping and tracked delivery. This is more than a poster; it is a piece of cultural subversion that redefined the relationship between art and the street..
Artistic Significance & Activism
Originally produced in 2015 for the Order of Bards Ovates and Druids, this work highlights the threat posed by the UK government to indigenous woodland. It depicts a circle of children holding hands around a tree trunk while two figures attempt to axe it from above—a visual metaphor for protecting future generations' heritage.
